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11/09/2018

Jack Vettriano Pincer Movement

The first problem to be dealt with is the orientation of the body block and the body block. The headache is that there are sixteen different body blocks to consider: the entire body of the hand, the phalanx of each finger, the two phalanx of the thumb, and the palm. You must use the concept of body block to draw the shape of each part separately and determine its orientation or orientation. It is not surprising that beginners start to draw bad hands.

It is indeed difficult to sum up the bulk relationship of the entire hand, because these shapes are not always the same. For example, usually the back of the hand is curved, but the palm is placed face down on the table, and the entire hand becomes flat. You can see this by sticking your fingers. Also, the back of the hand becomes very long when it is bent, and becomes very short when it is opened. Because of the involvement of the scorpion tissue between the fingers, the palm seems to be longer than the back of the hand.

(by http://www.jack-vettriano-prints.org/jack-vettriano-Pincer-Movement)

08/09/2018

How to draw a character sketch

To draw a quasi-contour, you must look at the whole, and compare the whole, and use the auxiliary line to help determine the position. When grasping the shape, you should grasp the features and draw them like you. The shape is beginning to see, and the image is ready to come out. Just like the artist at the entrance of the park, with the silhouette of the scissors, the figure is easily revealed, and although we can't see the fine internal structure, we can still recognize him. Some did not pay attention to this step, and the shape was still very vague, so they rushed to paint the five senses. How can the paintings drawn in this way approach the object! By http://www.thomas-kinkade-prints.org/

11:10 Publié dans art, Blog, news, posters | Lien permanent | Commentaires (0)

02/08/2018

Hard brush

Compared with soft brush, hard brush has the advantages of strong elasticity, firmness, strength and high wear resistance. The bristle brush mainly consists of a bristle pen and a bristle brush.


The bristle brush often leaves a crepe print when it is colored, which can pick up thick pigments. It can be rubbed, rubbed, brushed, and generally does not appear to stick the hair together. However, it is precisely because of these characteristics that the bristle brush can appear to be weak in the performance of the delicate picture texture. On the contrary, the bristle brush is suitable for the thick brush-like texture.


Compared with the bristle brush, the bristle brush is more delicate, softer and more elastic. It is a high-grade bristle brush, and of course the price is higher. Therefore, it is recommended that beginners choose pig bristle if they want to choose a hard brush.

by jack vettriano prints