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Art " micro era" in the presence of

In contemporary social participation , a form of culture or art form , this form depends not only on its own whether the content should fit the needs of contemporary people , but also to a large extent subject to disseminate the role of modern media. Conducive to the spread of auditory display and performative language radio and television media programs appear , once for music and sports to create a great space arena. Music and sports in modern life climbing. However, this does not make art media forms change dilemma. jack vettaino prints art works mostly in the form of separate images appear , you need to make visual stay down slowly to watch and read. Flow propagation characteristics of radio and television watching can not meet the needs of this reading style . Network radio and television media platforms more than the convenience of the image display. Therefore, the popularity of the network , an opportunity to bring art , especially in the last two years, the popular micro-channel adds more to the vitality of contemporary art , a new form of micro- painting, micro seminars, exhibitions micro , micro magazine , micro- markets, auctions and other micro- emerging. Micro-channel platform , a huge amount of information , delivery speed fast, anytime, anywhere to freely publish and thin inspection. Easy on the palm of a fingertip behavior across time and space to achieve a work of fine art show , jack vettriano game on the latest art transmission or reception of information .


Caosheng calligrapher Zhang Xu: not madness not survive

Zhang Xu local " cursive quote poetry four volume" ( see Figure edition title ) Tang ( 618-907 ) colored letterhead of the vertical 29.1 cm , horizontal 195.2 cm Liaoning Provincial Museum

LeRoy Neiman Michael Jordan

( Partial ) Licheng Mao "Lin Yuanxiu tu" Northern Song Dynasty ( 960 -1127 ) Ink on silk 45.2 cm vertical , horizontal 143.2 cm Liaoning Provincial Museum


( Partial ) Yang Weizhen Zhang Shi " regular script Wen Ying Chuan epitaph and poetry volume" Yuan ( 1271-1368 ) ink and color on silk ( section a ) 25.8 cm vertical , horizontal 191 cm ; ( section two ) vertical 25.9 cm , cross 86.2 cm ; ( section three ) vertical 25.8 cm , horizontal 145.9 cm Liaoning Provincial Museum

Open the " cursive poetry four posts ."


Yang Kuang Zhang Xu , a generation of " Caosheng " also madness


The reporter Lin Shao Qing


Emperor years, Ye County . Zhang Xu Wu states who often come here to watch Gongsun aunt 's " River Sword " dance.


Gongsun aunt lithe agility agile , vigorous dancing , swords flying up and down , flickering . Zhang Xu attentively concerned , between the advance and retreat , one by one , all fascinated him .


One day, after dancing sword , the crowd dispersed, Zhang Xu still immersed for a long time . Suddenly , it was the world known as "Zhang Britain " of the people , such as realized something, dancing , flying home. After waiting, the call to go mad , put pen to paper in a book .


He seemed to be turned into a pen in their hands Gongsun aunt 's sword, while rotating the turn , sometimes as Tigers down , sometimes like water dragon , unpredictable , flamboyant , high spirits .


Decades later , at a banquet, to recover the ancient poet Du Fu ask this , I think the concept of Gongsun aunt sword dance at a young age , is also remembered from "Formerly of Wu Zhang Xu , good cursive posts , the number often see in Ye County Gongsun aunt River sword dance , since cursive grow , Hao Dang grateful that Kung- known men . " legend.


People today do not see Gongsun aunt sword dance , but still have the opportunity to witness Zhang Xu ink.leroy neiman rocky


" Cursive poetry four posts ," the only one remaining world Zhang Xu ink, this spring , we approached the legendary band -like era.


Zhang Xu , does not survive madness


Zhang Xu 's about madness , too many legends.


Said he liked to drink , and often drunk after a call to go mad , put pen to paper in a book , and even hair brush dipped in ink for writing, so we gave him a nickname , called " Zhang epilepsy ."


" Four posts cursive Poems " appeared in the contemporary field of vision , the first should be in the early 1950s , as Mr. Fan Wenlan illustration " Chinese history" book . " Chinese history" in the " Cultural Revolution" is very popular around the time people like calligraphy will notice this illustration .


Zhang Xu Cursive writing with the four Southern Dynasties poetry and Yu Xin Xie Lingyun , the ups and downs and orderly, crazy cursive formation of a groundbreaking contribution. A total of 40 full- line posts , 188 words , the paper is rare "colored memo ."


But this piece is not inscribed and seals , so the authenticity of the Song Dynasty after suffering controversy . As the quote in the " King" dig into "book ", which becomes " Xie Lingyun book" , has been mistaken for the early Southern Song Xie Lingyun book.


Has spread to the Ming Dynasty, Dong Qichang after work stroke of the pen , Tiba said it was Zhang Xu works and commented it : . " There cliff fall , pelting rain whirlwind of potential"


This has become a detective , so far are inconclusive in academia , four Qi Gong , Xu Banda , Ink ,Renkai Yang so have had papers. The four are members of the national painting Mr. identified five groups , is the number one authority , but they hold exactly the opposite view : Qi Gong , Mr. Xu Bangda think this post is not written by Zhang Xu ; Ink , Mr. Yang Renkai Mo Zhang Xu believes that the non- post office . And Mr. Xiong Bingming According to his research , also wrote " cursive Fourth suspect Zhang Xu is a temporary post this " article .


Professor, Chinese Academy of Fine Arts in Contemporary cursive everyone Wang Dongling opinion, this piece is about the history of Chinese calligraphy studies major node of the work , however , so he had several years of this attention and research , and specifically with a " Zhang Xu < poetry four > Exploration . "


In 1995 , Wang Dongling Shenyang National Youth Calligraphy and Seal Cutting Exhibition review, and finally for the first time to see the original. " This piece was also a lot of negative voices , I read much admiration , Zhang Xu more convinced that it is authentic , I feel it Kuanbo stretch of the guitar body , spirit and unrestrained Hao longitudinal strength fertilizer rich pen, Zhang Xu, a vein in line Cursive style , Song is write to the . good works, like an expert , do not speak, his aura , the atmosphere is completely different . "


Anyway, this piece is the only one currently known to survive in the world of Zhang Xu ink. " If you deny this post , then Zhang Xu is no longer authentic in the world ."


Warren Zhang Xu appeared , perhaps only in the Tang Dynasty .


The Tang Dynasty was the heyday of Chinese calligraphy art development in promoting pro Taizong Li Shimin 's forces , Wang Xizhi , Wang Xianzhi son of two books wind has been considerable development. After the Tang Dynasty , a number comparable to the two kings emerged as par calligrapher Ouyang Xun , Yu Shinan , Yen Chen , Liu public rights . They uphold the traditional ink and Beiban double since the Wei and Jin , gradually break through calligraphy Wen Tong Yan Wang Miao , steering testimonies guarded style.


Among these, the Yen Chen , Kai Liu public rights, and Zhang Xu , Huai Su cursive , especially the significance of the times in which Zhang Xu brushwork with subtlety and uninhibited temperament , creating a wild cursive style model , respectfully as "grass Holy . "


Chinese calligraphy discussed later on in Europe, Yu , Chu , Yan, Liu , vegetarian , etc. are no judgments , only for Zhang Xu are all amazed , which is unique in the history of art .


Li Cheng , par Daozi


In the Northern Song Dynasty, Li Cheng , Fan Kuan and off with and known as the " three Ding Zhi ", was evaluated Li Cheng , "where whoever said to be the ancient landscape first," his landscapes and figures Daozi par .


Li Cheng artistic impact on future generations of great landscape painter , put into a new phase of Li Cheng School painter , the period is Ancestor Painting of famous Guo Xi .


Li Cheng 's " Maolin Yuanxiu map" , the boat moored near crossing , pedestrians traveling between the meantime ; distant palace clouds, tower shadow looming .


About Li Cheng 's work , due to the earlier era , few works handed down , coupled with his reputation heyday , after so many scholars whose work on the real to the enemy at that time . The so-called Li Cheng 's work , spread so far who has a lot of controversy .


Painting " Maolin Yuanxiu tu" no inscription, the offspring collectors are also based on the rear of the Southern Song Dynasty scroll to the ice , the Yuan Dynasty and early Ming Ni Zan张天骏three inscriptions , and its author as Li Cheng . But then the appraiser also have different views .


Due to the ice in the Southern Song Dynasty, the famous connoisseur of inscriptions , says this photo shows the Northern Song made ​​, so that many works have been seen as a popular thread , the only credible Li Cheng authentic.


This piece after Chia Ssu Song , Yuan Shu fresh in Ming Xiang Yuanbian other celebrities collection , into the Qing government, the collection of a hundred multi- imprinting .


Yang Weizhen , create a " troubled gas"


Yuan and Ming Yang Weizhen is an artist , born in Zhejiang Zhuji Maple an official career home. His good poetry , painting and drama , especially workers cursive. Zhejiang Normal University Fine Arts Professor Yang Yang Wei Zhen Seoul is research specialist , but also his descendants .


Yang Weizhen known in cursive , surviving lower case only this one , the Italian state Elegant , subtle square off with the Yuan Dynasty in the circle , represented by Zhao Wanli live very different style , is an important basis for study of Young's regular script .


Yang Weizhen Although high accomplishment, but it is not always smooth career , after efforts to no avail , fifty -year-old Yang Weizhen traces the landscape, indulging in sensual Poem from idealistic Officials hope to be able to indulge a good sensual romantic prodigal son . Such twists and unique life encounters, intentionally or unintentionally, which is reflected in his calligraphy .


At that time , with Yang Weizhen as the center , forming a group of Soochow writer , literary thought characteristic of this group is individuality , eclectic, innovative divergent .


Late Yuan Wu, also the center of town literati painting , Huang Kung-wang , Ni Zan , Wang Meng were living there , Yang Weizhen frequent contact with them , poetry and creative , respected each other , influence each other, and forged a profound friendship. Advocating literati painting is impressionistic lyrical , crazy kind of majestic big Jane distant style, the kind of show steep Yunlin Majesty 's frame , but also affect Earlier Ming Dynasty calligraphy creation, so Yang Weizhen unique pictorial calligraphy , sometimes melancholy urgent , sometimes elegant pull strength .


Yuan Dynasty, Zhao Meng formed the world are learning the situation , but the lack of surface Zhao word is magnified even more , the book winds becoming sweet ripe , mediocrity and monotony . Yang Weizhen pretending crosswise then created a distorted , bend strength Peculiar , chaos head coarse clothing " troubled gas" calligraphy . Undoubtedly, this " chaotic gas" Calligraphy is a refraction of social unrest psychosocial people uneasy and contradictory . On Yang Weizhen subjective , but is since Chao, sweet cooked, mediocre calligraphy and commented on and criticized .


Earlier Ming Dynasty calligraphy , but also to the Ming and Qing Dynasties main performance , heavy personality calligrapher enlighten a precedent . His calligraphy may not be able to learn as role models , we can not learn calligraphy impact on future generations , the main significance lies in style . Ming after calligraphers such as Xu Wei , Zhu Zhi Shan , Zhang Rui figure , Ni Yuanlu , ecliptic week , Wang Duo , Fu Shan even Eccentrics so they created their own unique personality calligraphy style , one on the gleaming Star Chinese calligraphy , but also to future generations of calligraphers touted a new aesthetic ideal .leroy neiman prints

16:53 Publié dans art | Lien permanent | Commentaires (0)

What lack of contemporary Chinese calligraphy


What contemporary Chinese calligraphy missing ? This is a problem , I see this topic , I felt a bit mean, but also know that this topic is probably not something to talk about , at least in this current environment, there is always a variety of people to As there is a wide variety of ideas, there is avoided , there is thus in terms of its other , there is a hit to see Haha , I think , I can imagine , this is in network media career since an unconscious feeling.leroy neiman prints


I also know that many people will always talk about all aspects , has thus know that this community can only say good , but can not say critics , therefore, saw it ha ha , that is more natural and simple.


If you follow what I mean talk, I probably have an idea of the three aspects of the subject do not know do not cut cut editing , whether lying empty , I have to say , than actually , there are nearly a year , and now this feeling useless , overemphasize that 's it. Think , really cool.


I now have two things every day to give yourself peace of mind , one walk one hour every morning to go to work , but not too much , three kilometers , presumably , on more than one thousand kilometers a year, the ancients said , traveling thousands of miles , so the original you can drop , this is really laughing Sharen . Another thing is to cross the road, grandfather grandmother always hear of anything , I will be very natural holding their hands together across the road . So , it seems no different , nothing big , but this morning , I am on the road, but thinking about what is missing in this Chinese calligraphy theme , I think, I was thinking from three aspects , namely social groups, and second, media , the three individuals .LeRoy Neiman Michael Jordan


I said , now Chinese calligraphy society organizations , many of them lack the public mind . I do not know , Sun Yat-sen handwritten Tianxiaweigong how many pieces of work , but I could believe it , most people are afraid to hang , why not say more . I would not say all , but I dare say that most of the social groups, national , provincial , county , etc., should be a lot , I think most would not say that he was a member of his society services , even if there is , it is only on the Articles written by the mouth said, really do , I think , certainly , it is difficult to see, you can see a President, a Secretary- mighty , you can see a member of the a President, a Secretary-General said before , I am your membership so, think about it, a scene look like ?


Blinded by greed , lack of public spirit . I do not know , there is no free lunch , it is said that where , but I 'm sure , definitely not Chinese language , this will not come from a history of five thousand years of Chinese civilization , I do not know why, as great a nation 's people , as the text of this important national heritage of civilization represented by vector calligraphy and with this in the name of social groups , why, there will be such a phrase in circulation , presumably , also spread to others the strike.


I do not know what the name of societies exist is to Chinese cultural heritage , or for the country, for the people, or for the benefit of the existence of certain people , I think , probably , on behalf of the existence of different time , certainly is not the same , and the same or not the same after this , there is a lot of interest groups , everyone's interests uneven , and began to pull the hill , you sing your song, I spectrum of my music, their own way, I do not know , What is this . For their own interests , at obliterate the achievements of their predecessors , to establish their own signs, and even his own preferences, as an advocate , and even now, and do not know what is right and what is wrong era atmosphere . I think, from that point on , we Chinese calligraphy societies , there is a responsibility. The lack of public spirit , and is a little heavy .


Turning now to the media , because I am also a media person , so I say this , my face a little red , but I still say , why, I remember a long time ago , I said one thing , that is to say the truth , there must be conscience , I think , now the media is the lack of social responsibility and social conscience.


Media , I think it should be a community, should be an important tool for cultural heritage and passing , in such a historic mission , I think, a social conscience and social responsibility , is a very important part .


I do not know what the media charging system from the beginning, of course , to the present, public occasions , there is no media toll this assertion. But in fact there is , I think, this is not to deny everyone . Pay is good, I think this fall is understandable, media people paid labor, for a fee , I think , nothing wrong with it at the moment such a social environment, we have become natural. The problem is that after the media charges, your social responsibility and social conscience is not because of money but Helenians short hand , if there is , it is a problem.


Another , some media , for their own interests , whether political , social or personal interests ...... and so on, a series of nothing less than a benefit to the word , I did not know , as a media person, how to locate their identity , scholars , businessmen , artists , brokers, politicians . . . . . ? A series of questions , people very confused, if they have all these identities , I do not know , social responsibility and social conscience of the media , how to achieve. Media ideological, because all sorts of benefits , how to face. So since , as a media person , whether , it will feel like thorn in the side , whether , it will feel to live up to the social status conferred by media people ?


Third, when it comes to individuals. Now the vast majority of people are like when it comes to individuals, I think, because society is too far away , so recently from the people , from this perspective, we have been mentioned in Chinese calligraphy , referring to our beloved art, will from our personal talk , and many people are rarely comes to himself. I want to say is what Chinese calligraphy missing, the individual, is the lack of insight . Our forefathers Appreciating the wise, knowing the next . Under the current social context of this intricate , well-developed information technology, so that we did not like the Huai headed for Trinidad and seeking to subtlety , derived from sitting at home really interesting . In addition there is a word called wealthy , as Baoji hide, we now calligraphy people , many of them holding a skill , but deliberately virtuoso , journeyed retractable always make you feel , what is exquisite . In many , I actually feel so boring , and why, in fact , calligraphy is very profound , just to know that Mr Liu Zhengcheng editor of " The Complete Works of Chinese Calligraphy ," there 108 volumes, take decades , or even a lifetime to pay, will have such success , think , we are now calligraphers , there are several , read one , two ? How much of Chinese calligraphy and really understand ? I think this is a problem , from this point of view , to say, probably is, we often say , lack of culture. But I think that will not be so profound that I have often said , the academic term , not willingly use, why, science and art , in fact, the two concepts , only genuine knowledge and technology to achieve a certain degree of success, coupled with the line thousands of miles , traveling, to have real knowledge and insight , I think, to that time , will have a real academic . And now people are missing , it is estimated that this so-called insight and practice it. If only the frogs , but also the helpless .

leroy neiman rocky

So since I actually think some time ago , I wrote a Master "line is willing to phase -owned ," the true meaning of it.

16:48 Publié dans art | Lien permanent | Commentaires (0)